I found this art piece at the Tate Modern in London to be one of the most fascinating items on display. It’s a 3D pop art work by Belgian artist Evelyne Axell. When I looked into her background, I was surprised to learn that she started her career in theatre before shifting to painting in the 1960s. Valentine, completed in 1967, really stands out for how boldly it tackles themes of gender and sexuality.
Valentine is a great example of Axell’s fearless approach. At a time when discussions about women’s sexuality were often avoided, Axell didn’t shy away—she brought them front and center. Using materials like plastic and paint, she created this piece with striking 3D effects that not only catch the eye but also carry deep meaning.
To me, the unzippable figure in Valentine isn’t just a clever design—it symbolizes breaking free from societal expectations and openly embracing one’s desires.
Axell was among the first female European artists to explore this style, and her work was groundbreaking then. Even today, it feels fresh and relevant, reminding us of the ongoing conversations about gender and the powerful role that art can play in these discussions.
Enjoy a photo of the piece with its creator, Evelyn.
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| Evelyne Axell with her work Valentine in 1967 | Estate of Evelyne Axell | © ADAGP, Paris and DACS, London 2015 |
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